I’m
taking a Changing My Brain class!
Some
people, however, call this class TAP.
I
started my tap class last April just before my 65th birthday and I
LOVE IT! I wanted to learn it when I was a little girl but my mother wouldn’t
allow it (something about Vaudeville and the sketch-y underside of showbiz, I
think…)
Anyway,
I can’t wait to tell you about this class! An admitted baby boomer herself, Deborah Perez
is a beautiful dancer and an excellent teacher. We do our shuffle-ball-changes at By Your Side Dance Studio in
Culver City and she is by far one of
the best dance teachers I have ever had.
She is able to adjust her teaching so that it’s unique to all of her
students; making each one feel as if they’re getting a private lesson. We have former dancers, young and strong
new-comers, and me: a 65-year-old, semi –coordinated, would-be dancer and
gymnast.
I’ve
always loved dancing. I love ballroom because
I can turn off my brain and pretend I’m a tall, long-legged dance diva. Not so with tap. This style of dance requires you to tune in,
turn on, and tap up!
Tapping
appears to be the perfect path to fitness of body and brain. It’s not unlike what I have experienced in my
25 years as a Feldenkrais® teacher; we like to think of ourselves as
“neuroplasticians” because our work can change the way people think, feel, and
act. According to Norman Doidge in his
latest book, The Brain’s Way of
Healing, neuroplasticity is the “property
of the brain that enables it to change
its own structure and functioning in response to activity and mental experience.
“ We used to think the brain and central
nervous system was set once we reached the age of 25, but Doidge now believes
that in order to “enable neuroplasticity to happen, the approach must require the active
involvement of the whole patient in his or her own care: mind, brain, and body.”
I
think I am definitely in the process of transforming my mind and brain, and (with
a little luck) my body.
I
am tapping into the unknown; sometimes this dance can be confusing
and just plain hard. For instance, I was
already aware of my toe clenching habit but you sure can’t do that in tap
without developing pain almost instantly!
So it forces me to be constantly aware of where I am on my feet. This requires the participation of my brain
and muscles which in turn means constant challenges to my balance. I have to stay upright, relax my feet, move
in a circle and keep my hand aloft while slapping, spanking, shuffling, and
ball stepping.
Talk
about challenging!
One
of the ways we encourage neuroplasticity in the Feldenkrais Method® is by using
novelty. Awareness Through Movement
lessons are full of “novel” movements.
We “wake up” the brain (and therefore new neural pathways) by bringing
our awareness to parts that move
together. That’s what happens in
tap! In every lesson, we learn something
novel. I have learned the “Buffalo,” the
“Irish,” the “Grapevine,” and loads more.
And then there is memory. I can feel my brain growing as I learn the
moves and then put them into a sequence. A strategy thay my teacher recommends
is letting the music tell us what’s next.
Of
course, all of this requires strength
and endurance. My legs are not as
strong as they used to be and I don’t have the muscle fibers I once had. As I Feldenkrais teacher I know that if I
move just from my feet, I won’t last long in this vigorous dance. I must engage my whole self. If I don’t, I
won’t get through the hour class without being debilitated. If I do, I’ll feel invigorated!
So:
awareness, novelty, strength, endurance, and
memory. Tap wakes up your brain and your body by
using all of these and I have to tell you that along with my work as a
Feldenkrais teacher, I feel like I have found just the right combination of
body and brain exploration. I can feel
those neurotransmitters transmitting!!
Deborah
Perez of By Your Side
Dance StudioBy Your Side Dance Studio
and your happy, dancing Feldenkrais teacher!
“Movement
is Life, without movement, life would be unthinkable.”
M.Feldenkrais DSc
Tapping along until next time,
Beth
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